Voltaire asks Michel Lambert to send him Luigi Ferdinando, conte di Marsigli’s Stato militare dell’imperio ottomano. He sends logistical instructions regarding proofs and printing and reminds Lambert that he is expecting an answer regarding a proposed joint publishing venture with the Cramer brothers of Geneva. He asks Lambert to sell the bulkier (folio and quarto) volumes that he left in Paris when leaving for Prussia in 1750. The final line (‘jattends de ses nouvelles’) and the signature (‘v’) are autograph.

Voltaire is writing to Paradis de Moncrif about the music of his opera libretto, Pandore, for which Jean-Nicolas-Pancrace Royer was supposed to be composing the music. To the proposed title for the work, Voltaire adds in his own hand ‘dans l’absense de l’autheur’. The date line and signature (‘v’) are autograph. The second leaf is blank on both sides.

Voltaire is writing to Lambert with a business proposal from the Cramer brothers, who have approached Voltaire, interested in publishing his works. According to the offer, Cramer and Lambert would share the printing of the estimated dozen volumes of Voltaire’s Histoire universelle (later the Essai sur les mœurs), thus enabling it to be ready more quickly. The letter, most of which is in Villaume’s hand, contains several minor corrections. The last two paragraphs, as well as the valediction, signature and date, are in Voltaire’s hand. Voltaire first wrote ’28 aoust 1754′ before adding a curved vertical line to approximate a ‘9’.

Voltaire is replying to a correspondent, casting doubt on the veracity of an anecdote that this person has shared with him concerning an Englishman who wanted his son dead. Voltaire assures the recipient that he remembers his presence in Berg[en] op Zoom. The signature appears to be autograph.

Voltaire states that Perronet gave him a great desire to take the coach to see the Neuilly bridge, adding that he would leave immediately if his age and continual illness did not prevent him from doing so. He notes that it is sad to die without having seen the monuments which make one’s homeland illustrious and thanks Perronet for having had the goodness to have had the drawing of the bridge shown to him. Voltaire goes on to say that he does not doubt that the King will use Perronet’s rare talents for new masterpieces which will immortalise his century and his reign. He ends by saying that he hopes Perronet will include him amongst his large number of admirers.

Voltaire begins by saying that the Count de Rochefort, and the old woman of nineteen years old, left Macon. According to the letter written by the trio, Voltaire adds that he expects that the travellers will soon be either in Paris or Vandoeuvre. He advises the travellers that they will not see ‘Les Lois de Minos’ because they will be in their quarters when it will be presented and begs them not to show the ‘Lois’ to anyone other than D’Alembert. Voltaire goes on to say that he doesn’t think it necessary to make even the slightest reasonable allusion; but one must always expect the worst from frivolous, troubled and mean spirits. What’s more, he adds, the copy that they have is incorrect and it two pages need to be redone. Voltaire concedes that such ‘bagatelles’ are not deserving of much attention but as there are people in the world who seek to take every opportunity to harm, he asks that the recipients do not give them this opportunity. He ends by stating that Madame Denis very respectfully thanks ‘Madame dix neuf ans’ and that he himself does the same for the third person to whom he has the honour to address his letter. The closing of the letter is added in Voltaire’s own hand. Here, he states that he throws himself at the feet of the old lady.

The letter concerns Voltaire’s death on 30 May 1778 and discusses the difficulties his servants faced in finding a burial place for him after they removed his body from Paris.