Status: Variants

More results

The copy was made by Emmanuel Louis Henri Alexandre de Launai, comte d’Antraigues (1753-1812). Within the letter is a poem, ‘Ode sur la paix de 1736’. This copy of the poem contains several variants.

Repository: Bibliothèque Municipale de Dijon, France
Date: 18 October [1736]
CMV: cmv37106

The MS includes a number of pre-1739 variants, along with a new reading of l.82 as ‘artistement orné’.

Repository: Bibliothèque historique de la Ville de Paris (BHVP), France
Date: c.1739
CMV: cmv37101

Lekain produced his copy of the role of Zamore when the play began at the Comédie-Française in 1750. Lekain performed the role 51 times between 1751 and 1775. The manuscript offers variants for Act II, l.3, 12, 17, 30, 66, 97, 111, 154, 168, 176, 194, 206, 226, 266, 274, 287, 288; Act III, l.84-85, 114, 247-250; Act IV, l.168-169; Act V, l.75, 162, 171, 202-204, and 256.

Repository: Comédie-Française, Paris, France
Date: early 1750s
CMV: cmv37092

The manuscript offers variants of Act IV, l.166a-182 and Act V, l.53-68. It is the only known original manuscript of Alzire to have survived. The variant for Act V is written in the left-hand margin of f.1r in Voltaire’s hand.

Repository: Bibliothèque historique de la Ville de Paris (BHVP), France
Date: c.1734
CMV: cmv37091

The fragment is inscribed ‘Au Roi de Prusse… 174…’ and is numbered ’13’. It represents a truncated version of the text, with the fragment beginning at l.243 of Act IV. This copy also contains several variants:

  • Séide’s discovery that he is Zopire’s son at ll.229-231 is phrased differently
  • ‘les mortels’ is used instead of ‘les humains’ at l.245
  • The end of Scene V is missing
  • Phanor makes his entrance immediately after Séide’s attempt to kill himself (ll.247-249), meaning that he appears after Séide discovers his identity. This suggests that another character reveals this information in this version of the play

On the verso side of the fragment, Voltaire has drafted a letter to Frederick II of Prussia dating to 10 July 1740 [D2265 / CMV35110].

Repository: The Morgan Library & Museum, New York, US
Date: c.1736
CMV: cmv36672

The second leaf of this copy is in a different hand to the rest of the MS, suggesting that it may have been taken from another MS copy. The list of ‘Acteurs’ has been annotated by Lekain with the names of the actors who took part in the later 1765 production of the play. There are also several variants throughout the MS that demonstrate the play’s development between 1734 and 1765, with their place within the text being clearly marked. It is likely that the copy was used by the Comédie-Française and its actors, including Lekain.

Repository: Comédie-Française, Paris, France
Date: 1734-1765
CMV: cmv36663

The copy forms part of a collection of letters and pieces concerning Voltaire and his family, in three volumes. This volume (the third) contains verse by, or attributed to, Voltaire. This copy of La Fête de Bélesbat contains several variants of the print edition.

Repository: Bibliothèque nationale de France, Paris, France
Date: December 1725
CMV: cmv36646

The sheets present a selection of variants for both the 1730 and 1737 editions, and are pinned into a 1728 London edition of La Henriade. The edition also features marginalia by Voltaire.

Repository: Bibliothèque nationale de France, Paris, France
Date: c.1737
CMV: cmv36630

The copy features several variants.

Repository: Institut et musée Voltaire, Geneva
Date: c.1719
CMV: cmv37212

The MS forms part of a recueil devised by Clairambault, which feature a number of clandestine poems and songs.

Repository: Bibliothèque nationale de France, Paris, France
Date: 1715
CMV: cmv36585