Marginalia: Redaction

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Repository: Bibliothèque nationale de France, Paris, France
Date: 11 September
CMV: cmv37461
Repository: Bibliothèque historique de la Ville de Paris (BHVP), France
Date: 9 February 1736
CMV: cmv37373
Repository: Bayerische Staatsbibliothek / Bavarian State Library, Munich, Germany
Date: c.18th
CMV: cmv37342

There exist two vastly different copies of this poem, perhaps suggesting that one was authored by Voltaire, and the other by Saurin.

Repository: Bibliothèque historique de la Ville de Paris (BHVP), France
Date: c.1734
CMV: cmv37098

The MS is almost identical to a second copy of the work found in the same volume (CMV36658). The text has been crossed through, and the margins on all pages except the first have been populated with another unrelated text.

Repository: Bibliothèque nationale de France, Paris, France
Date: 1735
CMV: cmv36657

This MS is a prompt-copy of the play, likely written in the hand of Jean Baptiste Minet, the escrivain of the company. It is likely that Minet made his copy from one produced by Voltaire. It is arranged as follows:

  • p.1: Acteurs
  • p.2: Title
  • p.3-18: Act One (p.13 blank)
  • p.19-36: Act Two
  • p.37-52: Act Three
  • p.53-70: Act Four
  • p.71-83: Act Five
  • p.84: Blank
  • p.85: List of Actors
  • p.86-87: Pencilled list of some of the actors appearing in some of the scenes of the play
  • [p.88]: Blank
Repository: Comédie-Française, Paris, France
Date: c.August 1732
CMV: cmv36651

The copy is found in a recueil of diverse theatre parts taken from a number of plays. The plays all seem to have been performed at the Château de Berny, home of the comte de Clermont.

Repository: Bibliothèque de l'Arsenal, Paris, France
Date: c.18th
CMV: cmv36642

The copy has been crossed out.

Repository: Bibliothèque nationale de France, Paris, France
Date: c.1724
CMV: cmv36606

The copy features in a volume of copies of roles played by Lekain between 1754 and 1759. Lekain copied out the part of Hérode and left a large left-hand margin in which he wrote notes. These notes were his personal guidance on questions of diction and interpretation.

Likely in preparation for the 1763 performances, another, later hand introduced the changes made to the role of Hérode to reflect the Sohème version of the play in darker ink. These changes saw rejected lines crossed out and the new versions written in above or below the line. Larger corrections were written on slips of paper pasted over the original text.

Repository: Comédie-Française, Paris, France
Date: 1754-1759
CMV: cmv36582