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Two bifoliums in Villaume’s hand with additions by Voltaire. The subject matter is in connection with the work that was to become, in 1756, the Essai sur les mœurs.
A book of reading notes on historical subjects, mainly in the hands of Voltaire, Collini and Villaume. There is a note in an unknown hand on f.58r. Wagnière has jotted at the start of the notebook (at the top of f.1r): ‘ce cahier contient 58 feuillets écrits, soit 116 pages’, then, heavily crossed out: ‘je prie qu’on en ait soin, n’aiant pout de double étant obligé de rendre l’original. le […] peut écrire à messieurs les rédacteurs ils pourront me l’envoier pour le copier’. The final leaf contains a list of errata for the work that was to become l’Essai sur les mœurs.
The manuscript contains reading notes and quotations from several authors including, on fol.22-44, Voltaire.
The phrase ‘concernant le XVIe siècle en France’ is written in Voltaire’s hand.
Fernand Caussy itemises this notebook as follows:
In this chapter, Voltaire explores a wide range of arts and sciences, including architecture, sculpture, poetry, theatre, astronomy, and geometry. He reflects on their origins in both Europe and Asia, focusing on regions such as Greece, Asia Minor, the Middle East, Persia, and Arabia. Voltaire also provides a thorough analysis of the Persian author Avicenna, as well as discussions on the Persian, Latin, and Italian languages.
The chapter highlights some of the most renowned authors, including Dante, Homer, Virgil, Petrarch, Ariosto, Shakespeare, Lope de Vega, and Boccaccio. Voltaire offers a close analysis of Dante’s Divine Comedy before going on to discuss the development of Italian and Spanish comedies from the 14th century. He then turns to the subject of tragedies, discussing prominent tragedians such as Torquato Tasso and Gian Giorgio Trissino, as well as pastoral comedies. OCV manuscript description:vol.27, p.255-256. OCV reference: vol.27, p.261-335. Foliation: f.31-71v.
The notes were produced by an unknown transcriber and are undated.
The first entry is dated 12 June 1734, whilst later entries are dated April 1736. Jamet, possibly Pierre-Charles Jamet, appears to have been using the Amsterdam edition of the text published by Lucas in 1734.
The recueil of notes and copies was produced by/for Emmanuel Miller.
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