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The manuscript contains reading notes and quotations from several authors including, on fol.22-44, Voltaire.
The phrase ‘concernant le XVIe siècle en France’ is written in Voltaire’s hand.
Fernand Caussy itemises this notebook as follows:
In this chapter, Voltaire explores a wide range of arts and sciences, including architecture, sculpture, poetry, theatre, astronomy, and geometry. He reflects on their origins in both Europe and Asia, focusing on regions such as Greece, Asia Minor, the Middle East, Persia, and Arabia. Voltaire also provides a thorough analysis of the Persian author Avicenna, as well as discussions on the Persian, Latin, and Italian languages.
The chapter highlights some of the most renowned authors, including Dante, Homer, Virgil, Petrarch, Ariosto, Shakespeare, Lope de Vega, and Boccaccio. Voltaire offers a close analysis of Dante’s Divine Comedy before going on to discuss the development of Italian and Spanish comedies from the 14th century. He then turns to the subject of tragedies, discussing prominent tragedians such as Torquato Tasso and Gian Giorgio Trissino, as well as pastoral comedies.
Reproductions: Photocopy, 27, ‘Le Chapitre des Arts’, p.274-275, p.297. Date: c.1756. Extent: 41 ff. Foliation: f.31-71. The incipit reads’ Depuis les inondations des barbares en Europe, on sait que les beaux-arts furent ensevelis sous les ruines de l’empire d’Occident.’ OCV manuscript description: 27, p.xxiii. OCV reference: 27, p.261-335.
15. 59v is an autograph draft, whose incipit reads ‘Depuis le sac de Rome, l’Etat ecclésiastique fut, comme l’Elide, tranquille au milieu des guerres, l’Etat de Venise en paix, etc.’
The modernised incipit reads ‘Depuis le sac de Rome, l’État ecclésiastique fut, comme l’Élide, tranquille au milieu des guerres, l’État de Venise en paix, etc.’
The notes were produced by an unknown transcriber and are undated.
The first entry is dated 12 June 1734, whilst later entries are dated April 1736. Jamet, possibly Pierre-Charles Jamet, appears to have been using the Amsterdam edition of the text published by Lucas in 1734.
The recueil of notes and copies was produced by/for Emmanuel Miller.
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