The play premiered at the Comédie-Française on Thursday 29 August 1748. It was performed 68 times by Lekain between 1756 and 1778.

This manuscript gives the names of the actors and their roles as follows:

• Sémiramis – Marie Dumesnil
• Arzace – Henri Louis Lekain
• Azéma – Sophie Hus
• Assur – Jean Claude Gilles Colson, a.k.a. Bellecour
• Oroès – Charles-François Racot de Gradval
• Otane – Dubois
• Mitrane – Mr Deborneval
• Cédar – Mr Dubreuil

This copy is limited to the verse only. The autograph copy is dated 2 November 1744, rather than 1 November as stated on this MS.

The letter contains a copy of a short verse titled ‘À Mme la Duchesse de ***’. The lines of the poem have been added to the bottom of f.97v in two columns of four lines each.

Voltaire notes that his strongest desire was to be naturalised in England, and that the Royal Society, prompted by Folkes, have given him that great honour. He lists the English writes who have influenced him: Shakespeare, Addison, Dryden, and Pope, and adds that he also entered into the ‘temple of philosophy’ where he admired the ‘altar of Newton’. Voltaire states that he was so bold as to introduce Newton into France, but that in doing so he became not only a confessor to his faith but a martyr also. He then turns to press, bemoaning and satirising its restrictions, and noting that the Royal Society has rewarded him for his sufferings. He ends by paying his respect to the brethren of the Royal Society and stating his desire to cross the sea in order to give them his ‘hearty thanks’.

The Royal Society dates the letter to 29 November 1743, however Besterman instead gives the date as 25 November 1743.

Voltaire notes that his strongest desire was to be naturalised in England, and that the Royal Society, prompted by Folkes, have given him that great honour. He lists the English writes who have influenced him: Shakespeare, Addison, Dryden, and Pope, and adds that he also entered into the ‘temple of philosophy’ where he admired the ‘altar of Newton’. Voltaire states that he was so bold as to introduce Newton into France, but that in doing so he became not only a confessor to his faith but a martyr also. He then turns to press, bemoaning and satirising its restrictions, and noting that the Royal Society has rewarded him for his sufferings. He ends by paying his respect to the brethren of the Royal Society and stating his desire to cross the sea in order to give them his ‘hearty thanks’.

The Royal Society dates the letter to 29 March 1743, however Besterman instead gives the date as 25 November 1743. As Voltaire was elected on 3 November 1743, we have followed Besterman’s dating here.

Jeanne Julie Éléonore de Lespinasse begins by discussing the upcoming coronation of Louis XVI, stating that she suspects Turgot will remain in Paris for it. She mocks the people flocking to Turgot’s house from the countryside in order to secure his friendship. She then goes on to discuss two works that she has been reading: Le Monopole and Voltaire’s Diatribe à l’auteur des Ephémérides. Though she calls Voltaire the ‘viellard de Ferney’, she nevertheless adds that he has the vigour, gaiety, and frivolity of a twenty-year-old. She goes on to note that there are some good things and excellent traits in the work, concluding that what Voltaire says about Turgot’s work is ‘vraiment touchant’.

Voltaire thanks the Pope for his kindness in gifting him his portrait. He adds that he would like the Pope to know that he is entirely devoted to his service and that he admires all of his eminent qualities. In thanks for the gift, Voltaire includes two lines of Latin verse in praise of Pope Benedict XIV: Lambertinus hic est Romae decus, et pater orbis / qui mundum scriptus docuit, virtutibus ornat. These would be repeated, with minor variation, in D3193.