Voltaire begins by discussing the succession of Catherine the Great, before going on to ask Cramer for ‘une pucelle’ [La Pucelle d’Orléans], noting that he has given out four or five on occasion. He goes on to note that he has not corrected the sheets he saw at Les Délices.

The poem describes the character of Candide created by Voltaire in his work of the same name. It notes that Candide is a man of neither modesty nor brains.

August praises Schiller’s Jungfrau von Orleans, which he believes has defeated Voltaire’s La Pucelle d’Orleans.

Schiller writes that he had suspected that Goethe was translating Voltaire’s “Tancred”, which was certainly very beneficial to the theatrical purpose. Nevertheless, he adds that he sincerely hopes that “Faust” will replace it. Schiller then goes on to say that there are great difficulties to overcome with the scheme for La Pucelle d’Orleans, adding that what bothers him about the piece is that it cannot be divided into a few large sections, making it necessary to dare to reinvent the form for a new subject and always keep the concept of genre flexible. He concludes by saying that if he does not go to Lauchstädt, he will withdraw to Ettersburg for a while to work.

Schlegel thanks Goethe for sending him sonnets by Guarini which he says remind him of Petrarch. He adds that he is reading de Parny’s La guerre desieux anciens et modernes in comparison with Voltaire’s La Pucelle d’Orleans. He goes on to discuss literary and theatrical works.

Schiller begins by saying that Körner will not come to Lauchstädt and that he will not travel their either because of his poor health. He then addresses Goethe’s translation of Voltaire’s Tancrède, stating that the freedom Goethe has demonstrated suggests that he will go a step further than he did with Mahomet. He notes that Goethe’s intention to use choirs in the theatre will be an important experiment, and adds that he hopes to present his finished version of La Pucelle d’Orleans upon Goethe’s return. He concludes by discussing his collection of poems and suggests that Goethe could get finished printed sheets of them.

Dunlop begins by discussing the snow storm which had prevented Burns from coming to see her, before imploring him not to edit ‘the New Year’s Day piece’ that he had written for her because addresses to friends should be spontaneous and uncorrected. She adds that her time will be occupied by sewing shirts for her son, so she will not write to him for a while, before stating that she had hoped to get Burns a copy of Voltaire’s La Pucelle d’Orleans but had heard such terrible reports of its character that she feared it should neither pass through her own or his hands. She concludes by noting that she met his favourit, James Adair.

This copy claims to feature 18 cantos, but in fact only contains 15.