Walker opens by noting that he has passed on Caldwell’s enquiry concerning Voltaire to Mr Hayley. He then goes on to discuss a passage from the ‘Life of Milton’ that puzzled him, before thanking Caldwell for his letter of introduction to Mr Malone which has since been forwarded to Mr Irwin. Walker next discusses several artists, before turning to an accident involving Lord Meath and his hopes that the ‘ball’ can be safely removed.

‘Brevet de calotte au public’ is a satirical poem by Alexis Piron that critiques the public’s poor taste in art and literature. The poem presents the public as a foolish and inconsistent judge of artistic merit, favouring trivial and mediocre works while neglecting the classics and mocks the public’s ability to be swayed by superficial trends.

The manuscript is a poem comprised of fifteen lines, with a rhyme scheme ABBA CDDC EEC FGFG. Alluding to an archetypical tension between nature and nurture, the lyrical subject suggests that nature claims victory over its rival. For more contextual information on the content of the manuscript, see Voltaire’s friendly letter to Marquise d’Ussé in December 1734 (D810). The poem is also known by its alternative title ‘L’Art et la nature’.

The letter concerns illustrations for an edition of Zadig published by the Société des Amis des Livres (1893).

In this letter, the writer praises the philosophical critique of fanaticism and tyranny expressed by the recipient, noting their significant role in challenging superstition through art. They acknowledge the support of notable figures such as the Duc de Choiseul, who has aided in protecting and promoting emigrant families from Geneva. The writer also mentions the contribution of other prominent individuals like Federic and Mr. Pigale, and expresses approval of the innovative design for a mausoleum that rejects the outdated practice of depicting slavery in sculptures. The letter concludes with a heartfelt tribute to the recipient’s enduring influence and friendship.

In this letter, the writer humorously reflects on the honour of having their statue created by Phidias Pigal, despite the amusement it may provoke among locals and the broader public. They acknowledge the vanity inherent in such spectacles but emphasise that their genuine gratitude towards their friends, especially the addressee, transcends this vanity. The writer contrasts the superficial entertainment value of such public displays with their sincere appreciation for the support and recognition they have received.

The writer expresses gratitude for being recognised as a representative by the philosophers and agrees to sign documents despite a trembling hand. They commend Monsieur le Duc de Choiseul for his support and poetic talent, noting his assistance in promoting a watchmaking industry established by Geneva émigrés. The writer finds immense satisfaction in witnessing the successful integration of Huguenot artists within their parish, highlighting the peaceful coexistence of different religions as preferable to past conflicts. They conclude with a reflection on personal contentment and a message of appreciation to Monsieur Dalembert, champion of tolerance and virtue.

Pyat suggests parallels between art and politics, and he references several of his own works (Une révolution d’autrefois, Ango, Le brigand et le philosophe, Les deux serruriers, Mathilde, Diogène, Le chiffonnier de Paris). Mentions the 1848 revolution and the Paris Commune. Includes references to Goethe, Shakespeare, Molière, Voltaire, and others. Harshly criticizes the vicomte de Chateaubriand and Victor Hugo.

Richard Owen Cambridge begins by offering James Harris advice on how to deal with varnish on a picture befor telling a story involving Voltaire and Sir William Hamilton. He ends with reference to verse published by Jonas Hanway on the death of Lord Lyttelton.

Pigalle requests that he be excempt from payment of his annual dues. He reminds the council of his previous gift of the bust of Louis-Philippe, and his restoration work on the busts of Corneille, Voltaire, Lavoisier, and Buddon.